Storytelling can occur in a variety of ways and places. In the studio, this practice often turns into drawing-telling. As individual thought processes emerge, so do inner dialogues, and these are echoed by the creative depiction of images on paper.
The artist here starts out using non-verbal techniques to express himself, by focusing solely on the graphic element. Working with images in his memory, the artist is depending on kinesthetic gesture to connect the thoughts in his mind with the actions occurring through his hand.
As a more complex story develops and the plot thickens, he carefully considers the changes in his thought pattern. Reflecting on these mental pictures allows the artist to add possibilities or take away what doesn't work.
The plot thickens and more characters are added. This continuing process takes critical thinking and problem solving to determine where and how they will fit into the story. Using a pencil and eraser have served this artist well, allowing him the flexibility to alter the sequence of events.
After filling in the last boxes with drawings, the artist is ready to finalize his narrative. He is now more able to use verbal techniques to explain the visual details in his story. In this way, he can add in appropriate jargon for the actions that are viewed in his drawings, along with specific sound effects or voices for the characters.
Telling the story to others in its complete illustrated form enables this artist to get feedback about his creation. He has found an effective way to express himself and to share his view of the world, while also feeling that his drawing-telling technique is meaningful.
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